Henrik uldalen biography of rory

You even have a couple with the same title drifting. Is there a reason for this? Uldalen: I have a hard time picking names for the different pieces. I would like a name for each and every piece for both practical reasons, and for the artwork itself. The problem is that many of my paintings are the continuation of a previous painting. So the same thing is often said with different compositions and models, as the theme often is the same through a series of paintings.

Uldalen: Every day as a painter I face different problems. I have a few ones that keep coming back though. Like trying to bring something new to a medium that has existed for centuries, technique related issues, and of course financial problems. Uldalen: I do sometimes get some very weird personal takes on my work, which is completely different than what I intended the piece to say.

So what do you seek to achieve in your final product? I work with paint, and that is what I want it to look like. The list could go on for several pages, so I choose to stop there. Uldalen focuses on expression and coded reference over realistic depiction — though the results often fall within that category as the artist meditates on classic renaissance figural work.

Such heavy use of black recalls the dramatically lit figural reliefs of Caravaggio blurred in motion, the movement suggested in the painting a static capture of violence or exposure as a form recoils or opens itself, whilst a hand reaches out or balls itself into a fist. Hieronymus was established as an online gallery in to showcase the collection of the Richard and Alita Rogers Family Foundation.

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